четверг, 9 июля 2020 г.

The Story of Civilization ( 1935-1975) by Will and Ariel Durant is an 11-volume set of books covering Western history for the general reader


The Story of Civilization, by husband and wife Will and Ariel Durant, is an 11-volume set of books covering Western history for the general reader.
The series was written over a span of more than five decades. It totals four million words across nearly 10,000 pages, with 2 further books in production at the time of the authors' deaths.[1] In the first volume (Our Oriental Heritage, which covers the history of the Middle East and Orient to 1933), Will Durant stated that he wanted to include the history of the West to the early 20th century. However, the series ends with The Age of Napoleon because the Durants both died – she in her 80s and he in his 90s – before they could complete additional volumes. They also left behind notes for a 12th volume, The Age of Darwin, and an outline for a 13th, The Age of Einstein, which would have taken The Story of Civilization to 1945.[citation needed]
The first six volumes of The Story of Civilization are credited to Will Durant alone, with Ariel recognized only in the acknowledgements. Beginning with The Age of Reason Begins, Ariel is credited as a co-author.
The series won a Pulitzer Prize for General Nonfiction in 1968 with the 10th volume in the series, Rousseau and Revolution.
In the preface to the first volume, Durant states his intention to make the series in 5 volumes, although this would not turn out to be the case.
The volumes sold well for many years, and sets of them were frequently offered by book clubs. An unabridged audiobook production of all eleven volumes was produced by the Books on Tape company and was read by Alexander Adams (aka Grover Gardner).
Preface
I HAVE tried in this book to accomplish the first part of a pleasant assignment which I rashly laid upon myself some twenty years ago: to write a history of civilization. I wish to tell as much as I can, in as little space as I can, of the contributions that genius and labor have made to the cultural heritage of mankind—to chronicle and contemplate, in their causes, character and effects, the advances of invention, the varieties of economic organization, the experiments in government, the aspirations of religion, the mutations of morals and manners, the masterpieces of literature, the development of science, the wisdom of philosophy, and the achievements of art. I do not need to be told how absurd this enterprise is, nor how immodest is its very conception; for many years of effort have brought it to but a fifth of its completion, and have made it clear that no one mind, and no single lifetime, can adequately compass this task. Nevertheless I have dreamed that despite the many errors inevitable in this undertaking, it may be of some use to those upon whom the passion for philosophy has laid the compulsion to try to see things whole, to pursue perspective, unity and understanding through history in time, as well as to seek them through science in space.
I have long felt that our usual method of writing history in separate longitudinal sections—economic history, political history, religious history, the history of philosophy, the history of literature, the history of science, the history of music, the history of art—does injustice to the unity of human life; that history should be written collaterally as well as lineally, synthetically as well as analytically; and that the ideal historiography would seek to portray in each period the total complex of a nation’s culture, institutions, adventures and ways. But the accumulation of knowledge has divided history, like science, into a thousand isolated specialties; and prudent scholars have refrained from attempting any view of the whole—whether of the material universe, or of the living past of our race. For the probability of error increases with the scope of the undertaking, and any man who sells his soul to synthesis will be a tragic target for a myriad merry darts of specialist critique. “Consider,” said Ptah-hotep five thousand years ago, “how thou mayest be opposed by an expert in council. It is foolish to speak on every kind of work.”* A history of civilization shares the presumptuousness of every philosophical enterprise: it offers the ridiculous spectacle of a fragment expounding the whole. Like philosophy, such a venture has no rational excuse, and is at best but a brave stupidity; but let us hope that, like philosophy, it will always lure some rash spirits into its fatal depths.
The plan of the series is to narrate the history of civilization in five independent parts:
  I. Our Oriental Heritage: a history of civilization in Egypt and the Near East to the death of Alexander, and in India, China and Japan to the present day; with an introduction on the nature and elements of civilization.
 II. Our Classical Heritage: a history of civilization in Greece and Rome, and of civilization in the Near East under Greek and Roman domination.
 III. Our Medieval Heritage: Catholic and feudal Europe, Byzantine civilization, Mohammedan and Judaic culture in Asia, Africa and Spain, and the Italian Renaissance.
IV. Our European Heritage: the cultural history of the European states from the Protestant Reformation to the French Revolution.
 V. Our Modern Heritage: the history of European invention and statesmanship, science and philosophy, religion and morals, literature and art from the accession of Napoleon to our own times.
Our story begins with the Orient, not merely because Asia was the scene of the oldest civilizations known to us, but because those civilizations formed the background and basis of that Greek and Roman culture which Sir Henry Maine mistakenly supposed to be the whole source of the modern mind. We shall be surprised to learn how much of our most indispensable inventions, our economic and political organization, our science and our literature, our philosophy and our religion, goes back to Egypt and the Orient,† At this historic moment—when the ascendancy of Europe is so rapidly coming to an end, when Asia is swelling with resurrected life, and the theme of the twentieth century seems destined to be an all-embracing conflict between the East and the West—the provincialism of our traditional histories, which began with Greece and summed up Asia in a line, has become no merely academic error, but a possibly fatal failure of perspective and intelligence. The future faces into the Pacific, and understanding must follow it there.
But haw shall an Occidental mind ever understand the Orient? Eight years of study and travel have only made this, too, more evident—that not even a lifetime of devoted scholarship would suffice to initiate a Western student into the subtle character and secret lore of the East. Every chapter, every paragraph in this book will offend or amuse some patriotic or esoteric soul: the orthodox Jew will need all his ancient patience to forgive the pages on Yahveh; the metaphysical Hindu will mourn this superficial scratching of Indian philosophy; and the Chinese or Japanese sage will smile indulgently at these brief and inadequate selections from the wealth of Far Eastern literature and thought. Some of the errors in the chapter on Judea have been corrected by Professor Harry Wolf son of Harvard; Dr. Ananda Coomaraswamy of the Boston Institute of Fine Arts has given the section on India a most painstaking revision, but must not be held responsible for the conclusions I have reached or the errors that remain; Professor H. H. Gowen, the learned Orientalist of the University of Washington, and Upton Close, whose knowledge of the Orient seems inexhaustible, have checked the more flagrant mistakes in the chapters on China and Japan; and Mr. George Sokolsky has given to the pages on contemporary affairs in the Far East the benefit of his first-hand information. Should the public be indulgent enough to call for a second edition of this book, the opportunity will be taken to incorporate whatever further corrections may be suggested by critics, specialists and readers. Meanwhile a weary author may sympathize with Tai T’ung, who in the thirteenth century issued his History of Chinese Writing with these words: “Were I to await perfection, my book would never be finished.”*
Since these ear-minded times are not propitious for the popularity of expensive books on remote subjects of interest only to citizens of the world, it may be that the continuation of this series will be delayed by the prosaic necessities of economic life. But if the reception of this adventure in synthesis makes possible an uninterrupted devotion to the undertaking, Part Two should be ready by the fall of 1940, and its successors should appear, by the grace of health, at five-year intervals thereafter. Nothing would make me happier than to be freed, for this work, from every other literary enterprise. I shall proceed as rapidly as time and circumstance will permit, hoping that a few of my contemporaries will care to grow old with me while learning, and that these volumes may help some of our children to understand and enjoy the infinite riches of their inheritance.
WILL DURANT.
Great Neck, N. Y., March, 1935

пятница, 3 июля 2020 г.

New Oxford 2020- Lexico.com- Living examples of the year: Толковый словарь для носителей языка Oxford Dictionary of English -уникальная коллекция сайта Oxford Living English dictionaries и словарной базы для Goldendict- огромное количество дополнительных живых примеров - по 20 предложений для каждого значения

03.07.2020- обновлена база данных - New Oxford 2020-
En.oxforddictionaries.com- for Goldendict
-скачать архив и поместить папку с файлами в goldendict/content на Вашем компьютере, где установлен Goldendict на Windows или Android
Содержание сайта - это толковый словарь для носителей языка Oxford Dictionary of English  (  точнее, версия 2020 года-содержание сайта https://www.lexico.com/ ) не путать со словарем и сайтом для иностранцев, изучающих английский- Oxford Learner's Dictionaries
Уникальная коллекция сайта Oxford Living English dictionaries и этой словарной базы для Goldendict- это огромное количество дополнительных живых примеров - по 20 примеров для каждого значения, причем многие примеры в прямой речи и во фрагментах диалогов.

Обновлено 03.07.2020
из версии New Oxford 2020-
новое слово POST-TRUTH
post-truth

adjective

► Relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief.

in this era of post-truth politics, it's easy to cherry-pick data and come to whatever conclusion you desire

○ some commentators have observed that we are living in a post-truth age

из версии 2016 года

Например, статья для слова SERENDIPITY 
serendipity
noun
[mass noun] The occurrence and development of events by chance in a happy or beneficial way:
‘a fortunate stroke of serendipity’
[count noun] ‘a series of small serendipities’
‘A few weeks ago, in one of those moments of serendipity, I came across a book waiting to be placed in our law library's rare book collection.’
‘I don't worry about surveillance as much as I worry that chance encounters and serendipity may disappear.’
‘Nick is talking about a different sort of thing - a high incidence of serendipity and coincidence in one's life.’
‘With yet another stroke of serendipity, they are BOTH newly single!’
‘Like most worthwhile adventures, the origins of this particular grand excursion are rooted in pure serendipity.’
‘While there is appeal in the spontaneity and serendipity of these events, they do not amount to community.’
‘Success often depends on serendipity and clues turned up by other investigations.’
‘Evolution seems to proceed not by design but by chance and serendipity.’
‘Discovery, for an artist, is rarely the much-advertised miracle of serendipity.’
‘There is huge serendipity in life and we cannot plan for it of course.’
‘Through standard musical comedy serendipity, George is given an audition opposite Clare!’
‘A mixture of serendipity, personal experience and recommendation built the list of artists.’
‘It was only through sheer serendipity that he found what he was looking for bobbing about on the Clyde just a few miles from his home in Woodlands.’
‘You might say this is serendipity, but you really have to make these things happen.’
‘What is lost, some say, is the experience of serendipity and the delight in finding things that you would not naturally seek out.’
‘In his own words, he scraped a living in Bangkok but then serendipity came again in the form of a meeting with two influential people in Bangkok.’
‘One of the nicest things about traveling is the part that serendipity plays in our adventures.’
‘The arts develop because of aptitude, talent, genius, hard work and serendipity.’
‘It's only luck or rather serendipity, which makes them successful.’
‘Such serendipity is typical of a constantly surprising show whose overlapping paths continually come full circle.’
Synonyms: chance, happy chance, accident, happy accident, flukeluck, good luck, good fortune, fortuity, fortuitousness, providencecoincidence, happy coincidence
Origin: 1754: coined by Horace Walpole, suggested by The Three Princes of Serendip, the title of a fairy tale in which the heroes ‘were always making discoveries, by accidents and sagacity, of things they were not in quest of’.
Pronunciation: /ˌsɛr(ə)nˈdɪpɪti/

четверг, 2 июля 2020 г.

Dark is a 2017 German science fiction time travel thriller web television series- Seasons 1-3

Dark is a German science fiction thriller web television series . Set in the town of WindenGermanyDark concerns the aftermath of a child's disappearance which exposes the secrets of, and hidden connections among, four estranged families as they slowly unravel a sinister time travel conspiracy which spans three generations. Throughout the series, Dark explores the existential implications of time and its effects upon human nature.
скачать торрент - сезон 1 на нем с англ суб- сезон 2 на нем с англ суб- сезон 3 на нем с англ суб
thedailybeast.com:The Final Season of Netflix’s ‘Dark’ Is a Mind-Melting Triumph of Sci-fi Storytelling. No time-travel saga has ever been this headache-inducingly elaborate, original and poignant. It’s a testament to their storytelling prowess that ‘Dark’s’ climactic gambit not only works as well as it does, but brings the series to a thrilling and satisfying conclusion
Children start vanishing from the German town of Winden,[14] bringing to light the fractured relationships, double lives, and dark past of four families living there, and revealing a mystery that spans four generations. The series follows Jonas Kahnwald, a teenager struggling to cope with his father's suicide; police officer Ulrich Nielsen, whose brother disappeared 33 years earlier; and police chief Charlotte Doppler.
The story begins in 2019, but spreads to include story-lines in 1986 and 1953 via time travel, as certain characters of the show's core families grow aware of the existence of a wormhole in the cave system beneath the local nuclear power plant, which is under the management of the influential Tiedemann family. During the first season, secrets begin to be revealed concerning the Kahnwald, Nielsen, Doppler, and Tiedemann families, and their lives start to crumble as the ties become evident between the missing children and the histories of the town and its citizens.
The second season continues the intertwining families' attempts to reunite with their missing loved ones, several months after the first-season finale, in 2020, 1987 and 1954, respectively. Additional story-lines set in 2053 and 1921 add new aspects to the mysteries, and the secret Sic Mundus fellowship, a major force in an underlying battle for the ultimate fate of the people of Winden, is explored, as the season counts down towards the apocalypse – a supposed destruction of Winden and death of many of its citizens.

The third and final season follows the four families across time in the wake of the apocalypse in 2020, while also introducing a parallel world whose events are interconnected with those of the first world. The season is primarily set in 1888, 1987, 2020 and 2053 in the first world, and 2019 and 2052 in the second world, as the characters work to find a way out of the repeating cycle of events in Winden across both worlds.



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