Andrei Rublev is a 1969 Soviet biographical historical drama film directed by Andrei Tarkovsky

Digitally restored by Mosfilm

Andrei Rublev (Russian: Андрей Рублёв) is a 1969 Soviet biographical historical drama film directed by Andrei Tarkovsky and co-written with Andrei Konchalovsky. The film was remade and re-edited from the 1966 film titled The Passion According to Andrei by Tarkovsky which was censored during the first decade of the Brezhnev era in the Soviet Union. The film is loosely based on the life of Andrei Rublev, the 15th-century Russian icon painter. The film features Anatoly Solonitsyn, Nikolai Grinko, Ivan Lapikov, Nikolai Sergeyev, Nikolai Burlyayev and Tarkovsky's wife Irma Raush. Savva Yamshchikov, a famous Russian restorer and art historian, was a scientific consultant of the film.

Andrei Rublev is set against the background of 15th-century Russia. Although the film is only loosely based on the life of Andrei Rublev, it seeks to depict a realistic portrait of medieval Russia. Tarkovsky sought to create a film that shows the artist as "a world-historic figure" and "Christianity as an axiom of Russia's historical identity"[1] during a turbulent period of Russian history that ultimately resulted in the Tsardom of Russia. The film's themes include artistic freedom, religion, political ambiguity, autodidacticism, and the making of art under a repressive regime. Because of this, it was not released domestically in the officially atheist Soviet Union for years after it was completed, except for a single 1966 screening in Moscow.[3] A version of the film was shown at the 1969 Cannes Film Festival, where it won the FIPRESCI prize.[4] In 1971, a censored version of the film was released in the Soviet Union. The film was further cut for commercial reasons upon its U.S. release through Columbia Pictures in 1973. As a result, several versions of the film exist.

Although these issues with censorship obscured and truncated the film for many years following its release, the film was soon recognized by many western critics and film directors as a highly original and accomplished work. Even more since being restored to its original version, Andrei Rublev has come to be regarded as one of the greatest films of all time, and has often been ranked highly in both the Sight & Sound critics' and directors' polls.[5][6][7]

Stalker is a 1979 Soviet science fiction art film directed by Andrei Tarkovsky with a screenplay written by Boris and Arkady Strugatsky, loosely based on their 1972 novel Roadside Picnic

Digitally restored by Mosfilm

Stalker (Russian: Сталкер, IPA: [ˈstaɫkʲɪr]) is a 1979 Soviet science fiction art film directed by Andrei Tarkovsky with a screenplay written by Boris and Arkady Strugatsky, loosely based on their 1972 novel Roadside Picnic. The film combines elements of science fiction with dramatic philosophical and psychological themes.[5] Modern reviews of Stalker have been highly positive.

The film tells the story of an expedition led by a figure known as the "Stalker" (Alexander Kaidanovsky), who takes his two clients—a melancholic writer (Anatoly Solonitsyn) seeking inspiration, and a professor (Nikolai Grinko) seeking scientific discovery—to a mysterious restricted site known simply as the "Zone", where there supposedly exists a room which grants a person's innermost desires. The trio travel through unnerving areas filled with the debris of modern society while engaging in many arguments.

Solaris is a 1972 Soviet science fiction art film based on Stanisław Lem's novel directed by Andrei Tarkovsky

Digitally restored by Mosfilm

Solaris (Russian: Солярис, tr. Solyaris) is a 1972 Soviet science fiction art film based on Stanisław Lem's novel of the same name published in 1961. The film was co-written and directed by Andrei Tarkovsky,[3][4] and stars Donatas Banionis and Natalya Bondarchuk. The electronic music score was performed by Eduard Artemyev; a composition by J.S. Bach is also employed.

The plot centers on a space station orbiting the fictional planet Solaris, where a scientific mission has stalled because the skeleton crew of three scientists have fallen into emotional crises. Psychologist Kris Kelvin travels to the station in order to evaluate the situation, only to encounter the same mysterious phenomena as the others. The film was Tarkovsky's attempt to bring a new emotional and intellectual depth to the science fiction genre, viewing most western entries in the genre as shallow.[5]

Solaris won the Grand Prix Spécial du Jury and the FIPRESCI prize at the 1972 Cannes Film Festival and was nominated for the Palme d'Or.[6] It is often cited as one of the greatest science fiction films in the history of cinema.[7][8] Some of the ideas Tarkovsky expresses in this film are further developed in his Stalker (1979).[9]

Soviet and russian films with english subtitles on Youtube

Как ни странно, пополнять активный словарный запас английского языка можно также, если смотреть русские фильмы с английскими субтитрами. Типичные ситуации общения из фильма кодируются типичными английскими речевыми клише, которые можно и нужно заучивать

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