суббота, 20 апреля 2019 г.

The House of Government: A Saga of the Russian Revolution is a 2017 study of the history of the Russian Revolution by the Russian-born American historian Yuri Slezkine


The House of Government: A Saga of the Russian Revolution is a 2017 study of the history of the Russian Revolution, the formation of the Soviet Union, and its early history from the days of the New Economic Policy into the early days of Stalinist Rule by the Russian-born American historian Yuri Slezkine. The book consists of "three strains"[1]: "The first is a family saga involving numerous named and unnamed residents of the House of Government." The second strain is analytical. It looks at the revolution and subsequent Soviet administration through the lens of the millenarian cult and "aims to capture the rise and fall of Bolshevism through a building and its residents, via a study in eschatology – the creation of an apocalyptic cult, its unexpected success, and its equally unexpected failure."[2] "The third strain is literary...Each episode in the Bolshevik Family Saga, and each stage in the history of the Bolshevik prophecy is accompanied by a discussion of the literary works that sought to interpret and mythologize them."
PREFACE

During the First Five-Year Plan (1928–32), the Soviet government built a new socialist state and a fully nationalized economy. At the same time, it built a house for itself. The House of Government was located in a low-lying area called “the Swamp,” across the Moskva River from the Kremlin. The largest residential building in Europe, it consisted of eleven units of varying heights organized around three interconnected courtyards, each one with its own fountain.
It was conceived as a historic compromise and a structure “of the transitional type.” Halfway between revolutionary avant-garde and socialist realism, it combined clean, straight lines and a transparent design with massive bulk and a solemn neoclassical facade. Halfway between bourgeois individualism and communist collectivism, it combined 505 fully furnished family apartments with public spaces, including a cafeteria, grocery store, walk-in clinic, child-care center, hairdresser’s salon, post office, telegraph, bank, gym, laundry, library, tennis court, and several dozen rooms for various activities (from billiards and target shooting to painting and orchestra rehearsals). Anchoring the ensemble were the State New Theater for 1,300 spectators on the riverfront and the Shock Worker movie theater for 1,500 spectators near the Drainage Canal.
Sharing these facilities, raising their families, employing maids and governesses, and moving from apartment to apartment to keep up with promotions were people’s commissars, deputy commissars, Red Army commanders, Marxist scholars, Gulag officials, industrial managers, foreign communists, socialist-realist writers, record-breaking Stakhanovites (including Aleksei Stakhanov himself) and assorted worthies, including Lenin’s secretary and Stalin’s relatives. (Stalin himself remained across the river in the Kremlin.)
In 1935, the House of Government had 2,655 registered tenants. About 700 of them were state and Party officials assigned to particular apartments; most of the rest were their dependents, including 588 children. Serving the residents and maintaining the building were between six hundred and eight hundred waiters, painters, gardeners, plumbers, janitors, laundresses, floor polishers, and other House of Government employees (including fifty-seven administrators). It was the vanguard’s backyard; a fortress protected by metal gates and armed guards; a dormitory where state officials lived as husbands, wives, parents, and neighbors; a place where revolutionaries came home and the revolution came to die.
In the 1930s and 1940s, about eight hundred House residents and an unspecified number of employees were evicted from their apartments and accused of duplicity, degeneracy, counterrevolutionary activity, or general unreliability. They were all found guilty, one way or another. Three hundred forty-four residents are known to have been shot; the rest were sentenced to various forms of imprisonment. In October 1941, as the Nazis approached Moscow, the remaining residents were evacuated. When they returned, they found many new neighbors, but not many top officials. The House was still there, but it was no longer of Government.
It is still there today, repainted and repopulated. The theater, cinema, and grocery store are in their original locations. One of the apartments is now a museum; the rest are private residencies. Most private residencies contain family archives. The square in front of the building is once again called “Swamp Square.”
■ ■ ■

This book consists of three strains. The first is a family saga involving numerous named and unnamed residents of the House of Government. Readers are urged to think of them as characters in an epic or people in their own lives: some we see and soon forget, some we may or may not recognize (or care to look up), some we are able to identify but do not know much about, and some we know fairly well and are pleased or annoyed to see again. Unlike characters in most epics or people in our own lives, however, no family or individual is indispensable to the story. Only the House of Government is.
The second strain is analytical. Early in the book, the Bolsheviks are identified as millenarian sectarians preparing for the apocalypse. In subsequent chapters, consecutive episodes in the Bolshevik family saga are related to stages in the history of a failed prophecy, from an apparent fulfillment to the great disappointment to a series of postponements to the desperate offer of a last sacrifice. Compared to other sects with similar commitments, the Bolsheviks were remarkable for both their success and their failure. They managed to take over Rome long before their faith could become an inherited habit, but they never figured out how to transform their certainty into a habit that their children or subordinates could inherit.
The third strain is literary. For the Old Bolsheviks, reading the “treasures of world literature” was a crucial part of conversion experiences, courtship rituals, prison “universities,” and House of Government domesticity. For their children, it was the single most important leisure activity and educational requirement. In the chapters that follow, each episode in the Bolshevik family saga and each stage in the history of the Bolshevik prophecy is accompanied by a discussion of the literary works that sought to interpret and mythologize them. Some themes from those works—the flood of revolution, the exodus from slavery, the terror of home life, the rebuilding of the Tower of Babel—are reincorporated into the story of the House of Government. Some literary characters helped to build it, some had apartments there, and one—Goethe’s Faust—was repeatedly invoked as an ideal tenant.
The story of the House of Government consists of three parts. Book 1, “En Route,” introduces the Old Bolsheviks as young men and women and follows them from one temporary shelter to another as they convert to radical socialism, survive in prison and exile, preach the coming revolution, prevail in the Civil War, build the dictatorship of the proletariat, debate the postponement of socialism, and wonder what to do in the meantime (and whether the dictatorship is, indeed, of the proletariat).
Book 2, “At Home,” describes the return of the revolution as a five-year plan; the building of the House of Government and the rest of the Soviet Union; the division of labor, space, and affection within family apartments; the pleasures and dangers of unsupervised domesticity; the problem of personal mortality before the coming of communism; and the magical world of “happy childhood.”
Book 3, “On Trial,” recounts the purge of the House of Government, the last sacrifice of the Old Bolsheviks, the “mass operations” against hidden heretics, the main differences between loyalty and betrayal, the home life of professional executioners, the long old age of the enemies’ widows, the redemption and apostasy of the Revolution’s children, and the end of Bolshevism as a millenarian faith.
The epilogue unites the book’s three strains by discussing the work of the writer Yuri Trifonov, who grew up in the House of Government and whose fiction transformed it into a setting for Bolshevik family history, a monument to a lost faith, and a treasure of world literature.

среда, 17 апреля 2019 г.

Jesus: His Life- History TV 2019- Documentary series

Jesus: His Life” explores the story of Jesus Christ through a unique lens: the people in his life who were closest to him. Each of the eight chapters is told from the perspective of different biblical figures, all of whom played a pivotal role in Jesus’ life including Joseph, John the Baptist, Mary Mother of Jesus, Caiaphas, Judas Iscariot, Pontius Pilate, Mary Magdalene and Peter.

четверг, 11 апреля 2019 г.

Roman Empire is a docudrama TV series- Season 2 ( 2018)- Master of Rome- is a five-part story of the rise of Julius Caesar and the fall of the Roman Republic

Roman Empire is an American/Canadian docuseries based on historical events of the Roman Empire. The show is in the anthology format with each season presenting an independent story. Season 1, "Reign of Blood", is a six-part story centered on Emperor Commodus.[1] Jeremiah Murphy and Peter Sherman collaborated on writing the first season, with Richard Lopez directing. It premiered on Netflix on November 11, 2016.[2] Season 2, "Master of Rome", is a five-part story of the rise of Julius Caesar and the fall of the Roman Republic.Season 2 premiered on July 27, 2018. Season 3 premiered on Netflix on April 5, 2019 and centers on Emperor Caligula.   
 торрент на англ с англ суб- ВК Видео на англ с англ суб

среда, 10 апреля 2019 г.

Jesus of Nazareth is a 1977 British-Italian television miniseries directed by Franco Zeffirelli

Jesus of Nazareth (ItalianGesù di Nazareth) is a 1977 British-Italian television miniseries directed by Franco Zeffirelli and co-written by Zeffirelli, Anthony Burgess, and Suso Cecchi d'Amico which dramatises the birthlifeministrycrucifixion and resurrection of Jesus. It stars Robert Powell as Jesus, and features an all-starcast of famous American and European actors, including eight who had won or would go on to win Academy AwardsAnne BancroftErnest BorgnineLaurence OlivierChristopher PlummerAnthony QuinnRod SteigerJames Earl Jones, and Peter Ustinov.

The Master and Margarita by Mikhail Bulgakov

скачать с облака- download from the cloud
Kindle ebook in English translated by Pevear-Volokhonsky, 
2005 Russian State TV Miniseries in Russian with english subtitles-

Russian Empire- TV Documentary Series ( 2000-2003) by Leonid Parfyonov - in Russian with english subtitles

Leonid  Parfyonov is a Russian veteran journalistnews presenterTV producer and author of many popular documentary TV shows
As the author and narrator of the daily culture news TV show Namedni on NTV, Parfyonov produced the line of popular historyTV documentaries which he narrated and hosted on-site of almost each event portrayed. The series achieved great success and were repeatedly broadcast for years after premiere.

вторник, 9 апреля 2019 г.

Fawlty Towers is a British television sitcom broadcast on BBC2 in 1975

Fawlty Towers is a British television sitcom broadcast on BBC2 in 1975 and 1979. Just two series of six episodes each were made. The show was created and written by John Cleese and Connie Booth, who also starred in the show and were married at the time of the first series, but divorced before recording the second series. The show was ranked first on a list of the 100 Greatest British Television Programmes drawn up by the British Film Institute in 2000.The series is set in Fawlty Towers, a fictional hotel in the seaside town of Torquay on the "English Riviera". The plots centre on the tense, rude and put-upon owner Basil Fawlty (Cleese), his bossy wife Sybil (Prunella Scales), the sensible chambermaid Polly (Booth) who often is the peacemaker and voice of reason, and the hapless and English-challenged Spanish waiter Manuel(Andrew Sachs), showing their attempts to run the hotel amidst farcical situations and an array of demanding and eccentric guests and tradespeople.

Fawlty Towers named greatest ever British TV sitcom- The Guardian 09/04/2019





суббота, 6 апреля 2019 г.

Egypt is a BBC TV 2005 docudrama TV Series

Egypt is a BBC television docudrama serial portraying events in the history of Egyptology from the 18th through early 20th centuries. It originally aired on Sunday nights at 9 pm on BBC1 in 2005. The first two episodes explored the work of Howard Carter and his archaeological quest in Egypt in the early part of the twentieth century. The next two episodes focused on the eccentric explorer "The Great Belzoni" played here by Matthew Kelly. The final two episodes dramatise the discovery and deciphering of the Rosetta Stone by Jean-François Champollion (Elliot Cowan).


пятница, 5 апреля 2019 г.

Our Planet is a 2019 nature documentary series made for Netflix

Our Planet is a 2019 nature documentary series made for Netflix. The series is narrated by David Attenborough. All episodes were released on 5 April 2019.





Wonderful, Marvellous and Emotional
I usually don't review but this time netflix done a great job in crafting this wonderful story of our planet.

I watched the frozen world as a first episode, and believe me it's worth watching.

It shows how much chaos human created and we are the most dangerous species on this planet.

The two most impact full scenes I ever watched: 1: One where polar bear was searching of tiny piece of frozen ice in vast ocean. 2: One where walrus slipping from the rock and ended with dead walruses on shore.

Great job by Our Planet team to bring such a masterpiece, whole world should see this and remembered how much we had destroyed this beautiful blue planet.

Charlie and Lola is a British animated children's television series




Charlie and Lola is a British animated children's television series based on the popular children's picture book series of the same name by Lauren Child. It aired from 2005 to 2008. The series was produced by Tiger Aspect Productions, and has won multiple BAFTA awards. The animation uses a collage style that emulates the style of the original books.
Charlie has a little sister named Lola; she is 'small, and very funny'. Lola often gets caught up in situations that she (inadvertently) causes, whether it's running out of money at the zoo and having to borrow Charlie's, to forgetting her entire suitcase when having a sleepover at a friend's house. These situations are sometimes comedic (for example, in the episode 'Help! I Really Mean It!') but often reflect real-world problems that younger children may face, for example losing a best friend, not getting the preferred part in a school play, or becoming too excited about an upcoming event and accidentally ruining it.
When these situations happen, Charlie usually ends up having to solve her problems through imaginative or creative methods, or by explaining to Lola where she went wrong. This is particularly demonstrated in the episode 'I Will Never Not Ever Eat A Tomato', when Charlie plays a trick on Lola to rename her least favourite food (carrots, mashed potatoes, fish fingers, and tomatoes) to more fantastical names so that she'll eat them, such as 'orange twiglets from Jupiter' and 'ocean nibblers from the supermarket under the sea'.



Charlie and Lola- British Animation TV Series S01E01-10 in English with english subtitles- Peppa Pig для более младших и Charlie and Lola- для более старших- два гениальных британских мультсериала об искусстве воспитания детей- для просмотра всей семьей- на английском с английскими субтитрами- идеально подходит для мам, которые учили английский и забыли, а теперь есть повод вспомнить и заново учиться - вместе со своими детьми от 3 до 12 лет !

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